To Pickle is to Preserve!

To Pickle is to Preserve!

            Here is my problem with most volunteer folks, they are usually “idea guys” - big picture people that can tell you what to do but look at the floor when it comes time to do it.  They would say things like, “Surely the businesses in town will donate money to our worthy cause.  All we have to do is go door to door and ask them.”  To which I say, “Okay, who will go door to door.”  ………………. and crickets chirp ………….

            I was blessed in my 25 years at Houston High School to have lots of booster support.  The parents that served as booster officers were not the kind of people to look at the floor when asked to do real work.  They were, invariably, the sort who roll up their sleeves and burn a few calories.  I loved every one of them.  Every once in a while, a parent would come along who did not want to be an officer or need a title.  The sort of person who sees a need and does everything they can to ameliorate that need. In my 25 years at Houston, the very best of those was David Pickler.

            I learned a lot of things from David (though some of them are not suitable for publication).  The most important thing I learned was to dream bigger.  He taught me to stop apologizing about the needs of the band program, stop finding ways to “just get by”, and to better envision the tools necessary to have an exemplary program.  Without David Pickler, there would very probably be no new band room, no band truck, no storage building, no memorial sidewalk, etc…  The first time we took the band to California, it was David who helped with the logistics and planning.  David worked as a chaperone, pit-crew member, and general roadie for the band for several years.  Though he was Chairman of the Shelby County School Board, he never seemed to mind taking orders from me.  The sheer number of things he did for this program is not even approached by the short list above.  

            I was made aware just yesterday by some band alumni that David is throwing his hat in the ring to become a Germantown Municipal School Board member.  I feel like his selection by the Mayor and Board of Aldermen should be an obvious one. You see, besides being a former local school board chairman, David Pickler has also been Chairman of the Tennessee State School Board and the National School Board.  His support for Houston High School did not stop with the band program.  I do not have a comprehensive list but I do know that he has been instrumental in funding for the new field and scoreboard.  David is also involved in the planned renovation and refurbishment of the auditorium at HHS.  

            So, like I said above, it seems to me that from an experience in education standpoint as well as from an actual giving back to the local community standpoint, David Pickler would be an obvious choice to be a school board member.   Still, in the Germantown Community, often decisions get made that boggle the mind. To that end, if you know any of the Aldermen or the Mayor of Germantown, show some appreciation for all David has done for us and let them know how good a choice he would be.  And do this quickly as I think they are looking to get this done in a hurry.  In case you do not know them, I have listed them below.  I know I don’t usually get involved in politics but things have gotten a little squirrelly lately in the old GMSD.  I think appointing David Pickler to the school board can go a long way toward calming the squirrel!

Copy and Paste Links (I am technically challenged)

Mike Palazzolo – Mayor                   Mayor@Germantown-TN.gov

John Barzizza – Alderman              JBarzizza@Germantown-TN.gov

Mary Anne Gibson – Alderman     MGibson@Germantown-TN.gov

Dean Massey – Alderman               DMassey@Germantown-TN.gov

Forrest Owens – Alderman          FOwens@Germantown-TN.gov

Rocky Janda – Alderman                 RJanda@Germantown-TN.gov

Give Concert Band Some Love!

Give Concert Band Some Love!

            Marching Band is a wonderful thing!  It is big and loud and showy and does a great job of generating community support.  It also, in many ways, pays the bills!  People get more hyped up about a marching band performance than they do about a concert band performance.  Maybe if we served hotdogs and nachos at concerts while having color guard folks throw flags over the top of the band (or crowd) while we played we could generate a little more love for the concert bands.  As silly as it seems, in many respects the school year is backwards for band folks, especially new ones.  We get kids at the beginning of the year and immediately put them outside to move around while playing the horn or drum.  As soon as marching season ends, we get to sit them down and really teach how to play.  To that end, really quality band music is a must.

Where does good band music come from?  Who writes it?  How much does it cost?  Short answers:  The Music Store, Composers, too much!  As for a more illuminating discussion (leading to the point of this epistle) let me say this: There is not enough quality band music in the world.  The needs of both audiences and performers have changed over time.  I am only aware of a handful of composers who actually make their living solely as band music composers.  Many of them are also teachers.  Most of the music they write is done through commission.  In other words, an individual or a group of individuals or an organization must pay a composer to write a piece of music.  I am proposing that, in conjunction with the Band Booster group, we do just that - commission a new piece of band music!

I have contacted Dr. Brant Karrick about commissioning a new work for band. Dr. Karrick is one of the most respected band composers available.  He has written many works for band including “Bayou Breakdown” and “See Rock City” which have both been played by the Houston Band.  He is very good at taking a contemporary style of music (Cajun, Rock, Funk) and turning it into a work for concert band.  Mr. Taylor and I are working with him to accomplish the same thing for Blues music.  This is a long process so getting started soon is one way to make sure we get it done before I croak.

I would venture to say that most of the quality band music available today is done through commission.  Bayou Breakdown, Old Scottish Melody, Third Suite, Pastime, Hounds of Spring, Southern Hymn, American Overture, Esprit de Corp, and Kingfishers Catch Fire were all commissions – and most were commissioned by high school bands.  The thought of having a quality piece of music with “Commissioned by the Houston High School Band – Matt Taylor, Director” in band rooms all over the country is exciting!!!

I am going to need the help of everyone to make this happen. Not only do we need to pay for a commission, we need to reserve and rent a hall for the premier performance.  We are also hoping to fly Dr. Karrick in to work with the band in advance of that performance.  I need help with everything from putting a program together to picking up Dr. Karrick at the airport.  You see, I don’t have a band or parents at my beck and call to help get these things done – I only have folks who remember this activity as fondly as I do.  I will schedule a meeting of those interested in helping after I have a date for the performance.   I am expecting to have the premier in the Spring of 2020 (it takes a while to write the music and then teach it).  In advance of that date, please feel free to DONATE TO THE BAND FOUNDATION!!!  There is a PayPal button right here on this blog. I expect this venture to cost in excess of $8,000.  Helping the band world is an expensive thing!

In the meantime, here is a link to the 2015 Houston High School Wind Ensemble playing “Bayou Breakdown” - https://www.youtube.com/watch?v=YpRdzbGNOTw

If you want to watch the 2011 Houston Marching Band performing “See Rock City” - https://www.youtube.com/watch?v=0AInOfl_KLs

Houston Band Foundation Scholarship Award

Houston Band Foundation Scholarship Award

            The Houston Band Foundation gives a scholarship each year to a Houston Band member in appreciation for their work as a member of the Houston High School Band.  The recipient of the second annual Houston Band Foundation Scholarship is Abby Lindquester.  Abby was a trumpet player in both the Jazz Band and the Wind Ensemble.  Abby also served as a Drum Major for the band.  In addition, she was a member of the Memphis Youth Symphony on violin.  Having graduated in the top 5 percent of her class this year, Abby Linquester received scholarship offers from Furman and Rhodes before choosing an offer from Mississippi State University.  She will play in the Famous Maroon Band while at Mississippi State.

            I was also fortunate enough to teach both of Abby’s older brothers, Will and Eric, and also taught with Abby’s mom here at Houston.  The entire family dynamic is (to the outside world, anyway) both loving and considerate.  They help each other and still find time and energy to help others, most notably The Houston Band.  I have known Abby since she was in elementary school.  I was aware that she was quite an accomplished violin player when she went to Houston Middle.  She had hoped to pursue a path like so many others had whereby she would be in band but continue studying violin and participate in All West ensembles.  When GMSD established an orchestra program, their director decided not to allow band kids to audition on a string instrument for All West.  At that point, Abby’s decision was pretty clear-cut.  She could be in band and miss out on many orchestra opportunities, or she could quit band to play violin.  I don’t know how hard the decision was, I am just ecstatic that she chose to continue with band. 

            The qualities that make Abby an asset are ones that all band members should aspire to.  She is dedicated and hard working.  She has a proper sense of right and wrong and models that behavior proudly.  She may be quiet but you would be wrong to confuse her calmness with lack of resolve.  You don’t accomplish all that she has without being hard-nosed about the details.  Abby Lindquester is also sweet and caring, two qualities that seem in direct opposition with the qualities most people use these days to get ahead.  I am betting that Abby will do just fine with this set of traits.  The Houston Band has been blessed to have her as a member for the past four years and the Band Foundation is proud to have her as our 2018 scholarship recipient.

Silliness

            I am going to do the begging at the beginning of this epistle instead of the end so that those of you who only read half of stuff won’t be let off the hook.  The Houston Band Foundation (us) established a scholarship to be given to a graduating senior each year at the band banquet.  We raised $20,000 bucks and put it in a brokerage account with the hope of generating $1,000 a year for the scholarship.  We were in good shape until the stock market backed up and now that scholarship is going to be $54.17.  I would like all of you to make a donation to this cause using the PayPal button attached to this blog (look for it – it’s there).  And now….

Silliness

            I often said, and truly believed, that we could have been much better than we were if silliness did not break out all the time.  Some of those sillinesses (?)  were small things.  Like when Lara Pitts and Rachel Lin used to make rude hand gestures behind my back to see whom I would catch first.  Or when Erica Lewis showed up for a contest wearing a fake cast on her arm (she was the drum major).  Other silly episodes involved larger groups of people.  Here are a few:

            We went to Union City for All West tryouts one year and went up early because snow was forecast.  At about midnight it started to snow and I let all the kids come out to play in it.  A game of Red Rover broke out in the area next to the hotel.  This game of Red Rover was our only one in the snow, but Red Rover was to become a band staple for years to come.  We had a bus break down in South Alabama on our way to Disney one year at about 2:00 in the morning leading to a game of 50 on 50 Red Rover.   My most vivid memory of Red Rover, however, comes courtesy of William Ingram.  We were playing while waiting on a bus to pick us up.  Those of you who do not know William can hardly appreciate his lack of athletic ability so, when someone called “Send William right over!”, it quickly got my attention.  What took place was the most laid back and somewhat dignified ‘Sending” in the history of Red Rover!  Not a run as much as a “toddle right over”.  Still makes me smile.

            Matt Tubinis was in charge of arranging a Games Night for summer entertainment one year (summer of 2002 or 2003?).  One of his games was a greased pig catching contest.  The twist was that the greased pig was Mike Mueller in a speedo covered in Wesson Oil.  It is possible to have something be both hilarious and totally disgusting at the same time.  I have no memory of what the prize was for catching Mike.  Maybe catching Mike is a prize in itself.

            One year at All West, all of the kids were sitting on the second floor landing in the Convention Center hotel eating pizza and goofing off.  Cell phones weren’t exactly new but texting was a big deal.  This particular year, Thomas Carpenter had not made All West and, being the manly stud he was, everyone was missing him desperately at the clinic.  Somebody got everyone together for a mass texting.  The thought was to have a group of about 50 folks text Thomas a short but disgusting phrase (moist mayonnaise) repeatedly and at exactly the same time.  According to Thomas, his phone exploded.

            We were marching at the Contest of Champions one year when I became aware of the seniors trying to establish a new tradition.  They marched finals “commando” style.  For those of you unfamiliar with the term, they were NAKED under their uniform.  No undergarments.  I can’t imagine the level of uncomfortable not to mention the possibility of having suspenders give out and flashing 20,000 folks.  The worst part is knowing that someone else was issued those pants the next year.  Yuch…..

            When we would travel to out of town competitions, my loading crew would inevitably “find” things others had lost.  They “found” signs from most of the bands we competed against.  They “found” a stadium flag from Vanderbilt and from the Liberty Bowl.  They even once “found” a track hurdle that said McGavick.  I stayed out of the finding business until one day in Jackson, TN.  Lara Pitts was one of our drum majors that year and, as they were closing the back of the truck, I noticed we had “found” an 8 foot by 4 foot sign that said “Pitts For Mayor”.  This sign got “unfound” in a big, screaming hurry.

            Zombie Apocalypse night one summer…. Every gift on Senior Night hidden in a brown paper bag with the words “don’t open in public” scrawled on the outside……  The ubiquitous (look it up) Rooster Cheer…..  Dancing after contests at the equipment truck (win or lose)…..  Senior Pranks that didn’t go wrong  (Yanni, Jonathan, Christie)….. The list is too long for it to be covered in one sitting.  On reflection, I would like to amend my statement in the first paragraph that we would have been better if less silly.  Maybe we would have been more competitive but from a “who we were” standpoint, I like us just fine!

Commitment

            Isn’t it strange that the term used for having mentally ill folks involuntarily placed into a facility for treating their condition is the same term used to describe the quality most looked for in a band student.  I have taught quite a few of you that should have been committed.  I have also been fortunate enough to teach a great number of you who were truly committed to band.  Let me cite a few examples:

            Band directors understand that contagious people need to stay home.  We may not like it, but we understand it.  I have had dozens of folks come to a game just before halftime, march the show, and return home to vomit.  The most extreme of these was William Pleasants.  He had his appendix out one week, and marched at a contest the next weekend.  The doctor told him that, as long as he could stand the pain, he could give it a go.  I feel certain that William pushed the doctor to reach that decision.

            Band directors understand that injured people sometimes can’t walk.  We may not like it, but we understand it.  I have had some fairly gruesome injuries to band members while doing the band thing.  Erica Simmons breaking her leg during an indoor guard performance was perhaps the worst I ever saw.  Really close behind that in “gruesomeness” was a leg injury to Ian Johnson.  We were on the parking lot and kids yelled at me that Ian had gone down.  When I got to the back of the lot, he was lying on the ground with his leg splayed out beside him.  It was then that I noticed his knee was facing the wrong direction.  After the ambulance hauled him off, it was a couple of days before I saw him again.  His leg was in a huge cast but Ian told me he would be in a walking cast in a month and not to fill his spot in the show.  He said he would be ready in 6 weeks for the first contest.  I thought he was crazy (see first paragraph).  He made it on the field and, as memory serves, marched all 5 contests that year.  Guts….

            Band directors understand when people have to move away. We may not like it, but….. yeah.  When the Sifri family moved after my first year at Houston, I locked myself in my office and cried for an hour.  I have had kids who tried to stay a few days or weeks longer to meet a particular performance obligation but, at least twice, I had kids who lived with other band folks for a whole year so that they could be with us and graduate from Houston.  My second year at Houston, that girl was Angie Ciuki.  I believe her family moved to Hong Kong.  My last year, Samantha Morrison stayed with an assortment of band folks when her mom moved to Mississippi.  I can’t imagine having either of these 2 young ladies gone their senior years and, while we are not in the business of breaking up families, the benefit to all of us who got to spend more time with them was huge. 

            Sometimes I needed everybody in the program on the same page and committed to helping fill a need or right a wrong.  The best example of this came about several years ago when the school system changed a rule.  The way it used to work was that somebody in administration had an ill informed and relatively crazy idea.  Rather than talk to those most effected, they just make a new rule.  This particular rule changed Spring trip policy such that, if you missed 2 days of school, it had to be a Friday and a Monday.  This would accommodate the schedules of cheerleaders and pom peeps but no one else.  The result was that we would have to cancel our Spring trip as our performance schedule would not fit that parameter.  I argued the craziness of this policy but to no avail.  Here is where commitment comes in.  All of the parents in the band got together and formed a calling tree.  Then, every board member and the superintendent got a phone call (“pre” text days) every 5 minutes.  Halfway through day 2, John Aitken came down and said, “Call off the dogs, ya’ll can travel whenever you need to.  The new policy is dead.”   Yep, never underestimate the ability of large numbers of parents to irritate people to near death…. if it is for their kids. 

            And finally, band directors understand that not everybody is a talented musician.   Trying to fix that situation is our job.  Still, the band members I admire the most are those who are extremely talented but still want to share that talent with other band students.  Some of those “others” make sounds more akin to animal mating noises than to music.  It takes true commitment (as well as patience, citizenship, tolerance and understanding) not to walk out of a rehearsal when you can play it correctly the first time but some of the less fortunate can’t play it on time 20.  The example set by people like Will Caviness, Jackie Young, Gloria Kwak, Jack Mo, David Ford, Rachel Pressler and a hundred others means much to the program and to those who need the example.  We would not have made it without the selflessness of these people.

            I know this was not the quasi-amusing post you have become accustomed to.  It was on my mind and it is always best to get things out of my head.

I Had Nothing To Do With It… and I’m Still Proud

            There is always a problem when you start to make a list of people who do anything.  You will inevitably leave someone out causing them to assume you either don’t love them or, in a fit of senility, have forgotten they exist.  Earlier in one of these epistles, I listed former students who had become band directors and left out my own son-in-law.   That being the case, OF COURSE I am going to now list some folks.  Chalk my mistakes up to old age and demon rum.

            I was reading the paper (yep… I read) and noticed that 2 former students (John Cooper and Jake Ingalls) will be performing in the Memphis area this Spring.  In both cases it is a huge deal for those of us who know them.  I mentioned it to a friend of mine (yep… I have a friend) and I found their response both telling and curious.  They said they thought making it in music, as anything other than a teacher, was a “unicorn moment”.  So rare that it might just be a myth.  If you all feel that way, take note of the former students listed below.  Being in the band at Houston was a small part of their success.  Hard work and perseverance were the much bigger factors.  They are:

John Cooper – John was a trombone player in the band.  My favorite memory of John was of his insistence on answering rhetorical questions.  If I got angry and yelled, “Does anybody here have any idea what they are doing?” the band would get very quiet…. and then John would raise his hand and say “Well Mr. Smith, I do and I think Perry does but Scott doesn’t have a clue!”.  John is now the lead singer and founding member of the band SKILLET.  SKILLET has been around since the late 1990’s and has performed Christian music for millions of fans.  In January of 2017, their single “Feel Invincible” topped the Billboard Christian Song Chart.  The album was Grammy nominated last year.  They will be performing on March 3 at Winter Jam in the Fed Ex Forum.

Matt Wigton – Matt was also a trombone player in the band as well as a fine athlete.  His senior year, he was a bass player in the National Grammy Jazz Band as well as the Tennessee State champion in the Discus.  Matt went on to attend the University of North Texas and to play in the One O’Clock Lab Band.  For those few reading this who understand what that means – Wow!!!  After graduating, Matt moved to NYC and spent his time getting established as a performing and recording jazz bassist.  He has performed on 2 Grammy nominated albums and has toured with the likes of Englebert Humperdink, Christopher Cross and Jo Dee Messina.  He moved to Nashville and, through the Nashville Jazz Composers Collective, he released a Jazz Christmas Album this past year that was entitled “Sleigh What?!”.  On that album, he worked with Jeff Coffin, saxophonist for the Dave Mathew’s Band.

Jake Ingalls – Jake was a member of the front ensemble and indoor drum line while in band.  I know it is different when it is your life, but to the rest of us, it always appeared like Jake had no pulse.  He was as calm and laid back a teenager as I ever knew.  My biggest memory of Jake is forced on me every time I go to a band directors meeting or convention or meet someone relatively new to the profession.  You see - Jake was the kid with the guitar on top of a smoking tower playing “Freebird” in our 2008 marching show.   His guitar work made me into a sort of hero for what I call the band counter culture (not taking ourselves too seriously).  Jake is now a keyboardist and guitar player for THE FLAMING LIPS.  They will be playing at the Beale Street Music Festival on May 4 – 6.  He is also the frontman for his own band, SPACEFACE.  I knew Jake had hit the big time when I saw him on Letterman and again on The Tonight Show with Jimmy Fallon and again on Colbert.  He has also performed with Miley Cyrus (as a member of the Dead Petz) and with Sean Lennon to name a few.  I really knew he had made it when my Facebook feed had an ad for J Brand Jeans with Jake as an endorser.  And they don’t make them in my size.  Oh well…..

Tim Jones – Tim was a tenor drummer when he was in band.  Tim came along at a time when we needed an adult in the line, particularly since I set such a poor example in that regard.   Tim (or Timmy or “The Duke”) is a drummer and keyboardist (?) for the band FOR KING AND COUNTRY.   They are a Christian Band and I first took note of them in 2013 when they were the K-LOVE “Breakthrough Artist of the Year”.  In 2015, For King And Country won 2 Grammy Awards but my phone really blew up the night they appeared on Jimmy Kimmel.  In the “Boy, it really is a small world” category, For King And Country will be touring this spring with Skillet.  Tim and John were never in band at the same time together at Houston so guys, I hope the memories are fond ones!

Nathan Dugger – Nathan was also a tenor drummer when he was at Houston and had maybe the quickest hands of any drummer I ever taught.  Nathan caused trouble with the girls in my band (not because he had fast hands).  The girls found him good looking but Nathan never seemed to notice or pay them any attention since his mind was always on music.  He did, however, escape the dark side (drumming) and is now a guitar player with DREW HOLCOMB AND THE NEIGHBORS.  2015 was a good year for band alumni performing on television as my phone also blew up that year the first time Drew Holcomb appeared on Jimmy Kimmel (I believe they have been on Kimmel a couple of times now).

Will Caviness  - Will was a trumpet player in band.  He knew more about jazz music, artists and performing than I did the very first day I met him in 9^th grade.  Will suffered through my inadequacies and even did a great job with the “legitimate” trumpet playing but his heart was always in the jazz world.  We made a recording of him playing “I Remember Clifford” with our jazz band his senior year that is still one of my favorite things to listen to.  Will went on to study jazz trumpet at North Carolina and at the New England Conservatory.  Will moved to NYC and began to perform regularly in jazz clubs and with a great number of prominent jazz musicians.  In 2016, his group, the WILL CAVINESS SEXTET, released its first album entitled “A Walk”.  It received rave reviews from Downbeat Magazine and reached #8 on the Jazz Week National album chart.  It is bop style jazz ala Miles Davis. 

If you are keeping score, that is Kimmel, Colbert, Letterman and Fallon.  That is also an awful lot of quality music.  It is not, however, the only mark Houston Band kids are making in the world of professional music.  LAUREN TINGLE – was a mallet player for us but is now working with CMT (Country Music Television) in Nashville.  She turns out an amazing number of quality articles about country music artists and the Nashville music scene in general.  Her life has allowed her to meet and interview the likes of Willie Nelson, Shania Twain and Taylor Swift.  She has, in many ways, my dream job.  MIKAELA ALLEN – graduated from Berklee School of Music in Boston.  She now works for TIDAL.com, a music streaming service based in NYC that is partly owned by JAY-Z.  Her job (as I understand it) is to manage their social media and to work with artist promotions.  Exciting stuff and a long way from playing a flute in the Houston Band!

            I am sure to have forgotten someone I meant to remember, to have gotten a fact wrong, and to have misspelled a name or two.  People who went into music as a profession are special to me for all the obvious reasons you would imagine.  I never had the talent any of these folks had with respect to either performing or the business of music.  I do, however, have the ability to appreciate all they have accomplished.  Read the title again – and know that I really am proud of you all.